The Seagull

By Anton Chekhov

Translation by Paul Schmidt

February 2017

The Latvian Society Theater

A masterpiece of theatrical literature comes to Barrymore-winning life.

Mystical, beautiful, and heartbreaking, this theater classic is a moving portrait of the human yearning for connection. Audiences arrived lakeside (built indoors at the Latvian Society Theater), drink in hand, a guest of a young writer-director, Konstantin, as he attempts to invent a new form of theater for our private audience. EgoPo Artistic Director Lane Savadove transported audiences to a summer evening party in this Symbolist approach to Chekhov’s iconic play. This production won Barrymore Awards for Outstanding Scenic Design (Thom Weaver) and Outstanding Production of a Play.

Creative Team

Lane Savadove … Director

Thom Weaver … Set/Lighting Designer

Rita Squitiere … Costume Designer

Lucas Fendley … Sound Designer

Emily Schuman … Props Designer

Chris Miller & James Jackson… Technical Director

Jeremy Jason … Master Electrician

Lauren Ackermann … Stage Manager

Katie Kiessling … Assistant Director

Alex Stawski & Nick Ware … Assistant Stage Managers

Dave Garrett Saraffian … Production Photos

Cast

Melanie Julian … Arkadina

Andrew Carroll … Konstantin

Ed Swidey … Trigorin

Anna Zaida Szapiro … Nina

Aaron Cromie … Sorin

Mark Knight … Shamrayev

Kirsten Quinn … Paulina

Stephanie Iozzia … Masha

Eric Kramer … Dorn

Dane Eissler … Medvedenko

Nick Ware … Yakov

About Anton Chekhov

Anton Pavlovich Chekhov (January 1860 – 15 July 1904) was a Russian playwright and short story writer, as well as professional physician. Widely considered one of the greatest writers of all time, his career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre.

Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text."