Marat/Sade

By Peter Weiss

September 2010

The Sanctuary at the Rotunda

A runaway hit of the 2010 Philadelphia Fringe Festival.

Our Theatre of Cruelty Season, based on the writings of Antonin Artaud, launched with this 1970s avant-garde classic. Staged in the remarkable Rotunda Sanctuary space in West Philly, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (aka Marat/Sade) featured brand new music by Mathew Wright and performed live by the cast on toy piano, cello, mandolin, and accordion, Brenna Geffers' production was a wildly exuberant and visually "beautiful, sweeping staging" that set nihilism against hope.

Creative Team

Brenna Geffers … Director

Mathew Wright … Composer

Tony Hostetter … Scenic Design & Production Manager

Brian Strachan … Costume Designer

Matt Sharp … Lighting Designer

Joshua Wallace … Props Designer & Assistant Production Manager

Jacob Lyon Goddard … Technical Director

Michael Chittenden … Stage Manager

Cast

David Blatt … Marquis De Sade

Steve Wright … Jean-Paul Marat

Jered McLenigan … Herald

Megan Hoke … Corday

Sarah Schol … Simone

Ross Beschler … Roux

Andrew Clotworthy … Dupret

Cindy Spitko … Rossignal

Matt Wright … Curcuru

Griffin Stanton-Ameisen … Polpoch

Josh Totora … Kolkol

Joe Canuso … Coumier

Hank Curry … Voultaire

About Peter Weiss

Peter Ulrich Weiss (8 November 1916 – 10 May 1982) was a German and Swedish writer, painter, graphic artist, and experimental filmmaker.

Weiss earned his reputation in the post-war German literary world as the proponent of an avant-garde, meticulously descriptive writing, as an exponent of autobiographical prose, and also as a politically engaged dramatist. He gained international success with Marat/Sade, the American production of which was awarded a Tony Award and its subsequent film adaptation directed by Peter Brook. His "Auschwitz Oratorium" The Investigation, served to broaden the debates over the so-called "Aufarbeitung der Vergangenheit" (or formerly) "Vergangenheitsbewältigung" or "politics of history". Weiss's magnum opus was The Aesthetics of Resistance, the latter of which has been called one of the "most important German-language work[s] of the 70s and 80s."